Pacific Rim: Final Breach is the official graphic novel sequel to Pacific Rim and Pacific Rim Uprising.
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This fella is probably an Acidquill.
(Edited by King of the monster)
The upcomic graphic novel is the prequel to the series Pacific rim: The Black name Pacific rim: Blackout. We gonna know what happen before the black event, such as Boy's orgin and how the kaijus returned and invaded entried Australia after Uprising event.
Look at this
Look closer
Did otachi breach yet?
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<p>1,2,3,4,5. what do you think
</p>
(Edited by KaijuManiac)
<p>In the comics , it says that he is contaminated by kaiju blue and he wants to salvage humans?
</p>
(Edited by Gtaboy100)
<center><big>Exclusive Interview – Writer Cavan Scott on Pacific Rim: Aftermath, his interest in ordinary people in extraordinary worlds, and more</big></center>
<table class="cquote" style="margin:auto; border-collapse: collapse; border: none; background-color:transparent; width:auto;"><tr><td style="vertical-align: top; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:left; padding:3px;"> “
</td><td style="vertical-align: top; padding:3px; font-style:italic;"> So, how did you first come to be involved with the Pacific Rim: Aftermath comics?
<p>Scott Cavan: Basically, I was put in touch with Robert Napton at Legendary by a mutual friend, Paul Cornell, and I started a bit of a campaign, because I’m a massive fan of the first film, and I knew there was a sequel coming, so I threw my hat into the ring quite forcefully! After a while they came back and asked if I was still interested, and I was asked to put forward some ideas. It went from there really. </p><p>Did you have much latitude in terms of where to take the comics, or was what they had to be quite clear from the start, set by the movies?
Because of things that happen in the film, either, there’s only certain things that we could do, and certain things we couldn’t. What Legendary did was come to me with this sort of general idea for the mini-series, and then left it to me to spin-out those ideas, really, which I then went back to them and there were conversations back and forth. I had a chance to read the script for Uprising, so I could tie into that. But yeah, it was quite a lot of freedom in the early days of how we were going to take the story; it was sort of a joint effort, the story of the mini-series, between Robert, myself and Barnaby at Legendary, who works on a lot of the mythology of pursuant work behind the scenes. </p><p>Could you walk me through their development – from your initial idea, to the finished product? Were there any big changes you made along the way?
Um, not so many big changes. I think one of the things that we developed was Hannibal Chau’s part of the story, I don’t think about the beginning he was such an integral part of it. But as time went on, we realised there were things we could do with him, so his role in the entire story grew. I can’t give away too much, because it would unfortunately spoil the future issues, but with Hannibal a bigger part in the story, that meant we could do things that weren’t possible before. So, it was one of those moments where actually it helped in the end, and it opened up new possibilities for Aftermath. Definitely he was involved, but he wasn’t as involved, I think in the early conversations. </p><p>You’ve got a lot of experience writing comics, prose stories, audio plays, so on. How do you adapt your approach for each, or do you find you tackle them in a fairly similar way each time?
I started out writing radio and audio dramas, and so the crossover into comics – I’ve loved comics since I was a kid, so it’s a media I know really well, but both are dialogue based, and the two disciplines are quite easy to move from one to another. Just as in an audio play you’re writing for the actors and giving them a world that they can act within and interpret what you’ve given them, in the same way when you’re working with comics, you’re working with an artist, and the script is meant for them, not meant for the final reader. </p><p>So, the script lays out what you’re thinking about for the story and again, the artist then takes those ideas and interprets them into what we finally get. Just like with a script, you then sort of work it back and forth together, so like in an audio script it’s quite a team effort working with a director and similarly with a comic. Obviously, when you’re writing a novel, when you’re writing prose, it’s pretty much you and the computer screen, or a notepad. I think even when I write prose, I’m very dialogue led at first any, so I always start with the dialogue and sketch it out. </p><p>So actually, across the three medium, I pretty much always start with dialogue first. When I’m writing a comic strip, I will write the dialogue for the page and then break it up into panels, most of the time. Sometimes it doesn’t work like that, sometimes I do block it out first, but most of the time it’s dialogue first. So yeah, I think in all three, I think I am pretty much dialogue led. </p> </td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ” </td></tr></table>
<p>Scott Cavan: Basically, I was put in touch with Robert Napton at Legendary by a mutual friend, Paul Cornell, and I started a bit of a campaign, because I’m a massive fan of the first film, and I knew there was a sequel coming, so I threw my hat into the ring quite forcefully! After a while they came back and asked if I was still interested, and I was asked to put forward some ideas. It went from there really. </p><p>Did you have much latitude in terms of where to take the comics, or was what they had to be quite clear from the start, set by the movies?
Because of things that happen in the film, either, there’s only certain things that we could do, and certain things we couldn’t. What Legendary did was come to me with this sort of general idea for the mini-series, and then left it to me to spin-out those ideas, really, which I then went back to them and there were conversations back and forth. I had a chance to read the script for Uprising, so I could tie into that. But yeah, it was quite a lot of freedom in the early days of how we were going to take the story; it was sort of a joint effort, the story of the mini-series, between Robert, myself and Barnaby at Legendary, who works on a lot of the mythology of pursuant work behind the scenes. </p><p>Could you walk me through their development – from your initial idea, to the finished product? Were there any big changes you made along the way?
Um, not so many big changes. I think one of the things that we developed was Hannibal Chau’s part of the story, I don’t think about the beginning he was such an integral part of it. But as time went on, we realised there were things we could do with him, so his role in the entire story grew. I can’t give away too much, because it would unfortunately spoil the future issues, but with Hannibal a bigger part in the story, that meant we could do things that weren’t possible before. So, it was one of those moments where actually it helped in the end, and it opened up new possibilities for Aftermath. Definitely he was involved, but he wasn’t as involved, I think in the early conversations. </p><p>You’ve got a lot of experience writing comics, prose stories, audio plays, so on. How do you adapt your approach for each, or do you find you tackle them in a fairly similar way each time?
I started out writing radio and audio dramas, and so the crossover into comics – I’ve loved comics since I was a kid, so it’s a media I know really well, but both are dialogue based, and the two disciplines are quite easy to move from one to another. Just as in an audio play you’re writing for the actors and giving them a world that they can act within and interpret what you’ve given them, in the same way when you’re working with comics, you’re working with an artist, and the script is meant for them, not meant for the final reader. </p><p>So, the script lays out what you’re thinking about for the story and again, the artist then takes those ideas and interprets them into what we finally get. Just like with a script, you then sort of work it back and forth together, so like in an audio script it’s quite a team effort working with a director and similarly with a comic. Obviously, when you’re writing a novel, when you’re writing prose, it’s pretty much you and the computer screen, or a notepad. I think even when I write prose, I’m very dialogue led at first any, so I always start with the dialogue and sketch it out. </p><p>So actually, across the three medium, I pretty much always start with dialogue first. When I’m writing a comic strip, I will write the dialogue for the page and then break it up into panels, most of the time. Sometimes it doesn’t work like that, sometimes I do block it out first, but most of the time it’s dialogue first. So yeah, I think in all three, I think I am pretty much dialogue led. </p> </td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ” </td></tr></table>
(Edited by Lily Ford)
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<p>http://cavanscott.com/2018/03/09/launching-today-pacific-rim-amara/
</p><p>A new Webseries Comic, showing a bit of backstory to Amara, confirming that the Kaiju that we see in the Trailers is Insurrector, and that he was killed by both Striker Eureka and Hydra Corinthian.
Oh, and we also have our first look at Hydra Corinthian (https://twitter.com/cavanscott/status/972074412617949184?s=19).
</p>
(Edited by SirRicco)
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<p>Writer’s Commentary: Pacific Rim Aftermath #1
</p><p>There's some previously unknown info that is useful for the Wiki.
</p>
<dl><dt>Part One
</dt></dl><p></p><blockquote>Be warned… HERE BE SPOILERS! Grab issue one, flick back to page one, and read along as I run through some of the background to the events and characters of the issue.
<p>Page 1: And we’re right into a Kaiju attack. Even though Aftermath is set after humanity’s victory over the Kaiju in the first movie, we wanted to kick off with some good old fashion giant monster vs robot action. That’s the Santiago Stock Exchange building being demolished in the background. I gave Rich some Google Street View links for reference. Street View is such a great tool for writers. Instant research without the jet-lag.
</p><p>Page 2 & 3: Say hello to Fauxface, our first Kaiju of the mini-series, and also to our brilliant artist Rich Elson. I’ve been a fan of Rich’s work in 2000AD for years and so suggested him for our story. I was over the moon when he said he was available.
</p><p>Page 4: And talking about Vulcan Specter… here she is. Vulcan Specter was an Australian Mark-3 Jaeger launched on December 27, 2017 and was in many ways a forerunner to Striker Eureka, so the design was based off her look from the first film.
</p><p>Page 5: Meet Joshua Griffin and Tyler Zachery, Vulcan Specter’s pilots, linked forever thanks to the drift. But what happens when that partnership is broken?
</p><p>Page 6: I love Guy Major’s colours in this battle. Those energy bursts from Vulcan Specter’s cannon look like they hurt!
</p><p>Page 7: The idea of a Vulcan Specter balloon on a ticker-tape parade still makes me smile. Love that propaganda poster of Griffin and Zachery too. Would love one of those for my study wall.</p></blockquote>
<dl><dt>Part Two
</dt></dl><p></p><blockquote>Page 8: And now we move to the ‘present day’ of our story – 2034, nearly a decade after the events of Pacific Rim. Right from the off, we kept a central phrase at the core of our story, as seen on the front cover – ‘The Mighty Have Fallen’. I was really interested in how these superstars of the Jaeger Age cope with a world with no monsters to fight. Griffin, for one, has not coped at all well…
<p>Page 9: Rich draws a good fight. He knows his martial arts, so tries his hardest to make every punch land.
</p><p>Page 10 – 11: Just who is that shadowy diner enjoying a cup of joe?
</p><p>Page 12: We cut to the Jaeger scrap yards near Santa Monica. Editor Robert Napton suggested we add the now derelict fun-fair in the background to give a sense of place. It was a really good call. I love all the visual cues that the Kaiju war has left scars on the world.
</p><p>Pena is going to be another of our other major players. Here’s how the script originally described him: "PENA (32) is a weasel-faced Hispanic man. Tall and scrawny, he thinks he’s a player. He has a gaunt, pockmarked face, multiple piercings, and is wearing a vest beneath a sleeveless denim jacket."
</p><p>Page 13: Originally Dwayne was using a blow-torch to cut through the fence, but it felt a little too old-fashioned, and so was swapped with an energy weapon that can cut perfect squares: the door-gun.
</p><p>Page 14-15: Some days you get pages pop into your in-box that you can’t stop looking at. This was one of them. Rich put so much detail into the Pan Pacific Defense Corps’ Scrapyard, full of old rusting jaegers. Combined with Guy’s colours, it certainly looks like a graveyard, and you can just imagine the radiation leaking from every wreck. Right from the beginning, I knew that Joshua would say no to a haz-suit. He already feels like he’s on borrowed time – why would he care about a few thousand rads?
</p><p>Oh, and there’s the first reference to the Mech Czar… who’s that?
</p><p>Page 16-17: The Capello gang are wielding guns fashioned from stolen Jaeger tech, most notably Coyote Tango’s V-P1 EnergyCaster. The idea of gangs using Jaeger weaponry was a big part of the original brief for the mini-series, which was codenamed: ‘Underworld’.
</p><p>Page 18: In early drafts Joshua was originally called Jacob, but underwent a name change when we realised how near Jacob was to John Boyega’s character in Pacific Rim Uprising, Jake.
</p><p>Page 19: The Kaiju in the flashback is Mutavore who breached the coastal wall to attack Sydney. It was eventually brought down by Striker Eureka…
</p><p>Page 20: … but not before ripping off Vulcan Specter’s head. According to Pacific Rim lore, Mutavore proceeded to fling the head over the Sydney Opera House. Griffin and Zachery were still inside.
</p><p>Page 21: When I originally blocked out the issue, Griffin’s fight with Capello’s knuckle-duster-wearing goon was to conclude the issue, but in discussions with Legendary we decided to end on a fan-favourite character from the first film…
</p><p>Page 22: And there he is… but as you can see, he’s not exactly the man he was when we last saw him.
</p><p>So, that’s issue one. Of course, the issue also includes a special back-up strip, I Am Pentecost, but more on that soon…</p></blockquote>
(Edited by administrators)
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<p>First of all, I really liked it. And those who liked TFYZ will like it as well.
These are some interesting details to add to the Wiki if the Comic is declared Canon:
</p>
- 1) Joshua Griffin, top of the class of 2015, is one of the Pilots of Vulcan Specter, Australia's first Jaeger, which has 5 Drops and 3 Kills, one being an Unnamed, 2-headed Kaiju that attacked Santiago, Chile, in December 12th, 2021.
- 2) Apparently, Mutavore has been rampaging since (at least) December 27th, 2024, the day it beheaded Vulcan Specter, and seemingly killed both of its Pilots.
- 3) Oblivion Bay, which is "up in L.A.", is where the "important wrecks are", like Tacit Ronin, Matador Fury and Crimson Typhoon, but there's a second Jaeger Scrapyard, in Santa Monica, where "the crap ends on", like Vulcan Specter.
(Edited by administrators)
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<p>EDIT: 1/16/2018: According to <i>Aftermath</i> artist Cavan Scott and Midtown Comics official twitter accounts, <i>Aftermath</i> has not been rescheduled and is expected to release <i>tomorrow</i> on the 17th of January. source #1, source #2
</p><p><i>Pacific Rim: Uprising</i> producer and actor John Boyega uploaded an "exclusive" look at his character, Jake Pentecost, in the upcoming comic miniseries, <i>Pacific Rim: Aftermath</i>.
</p>
<div class="center"><figure class="article-thumb tnone show-info-icon" style="width: 350px">
<figcaption> <p class="caption">Jake Pentecost as he appears in <i>Pacific Rim: Aftermath</i>.</p> </figcaption></figure></div>
<p></p><blockquote><strike>and a new release date:</strike>
<p><strike>Originally set for a January 17, 2018 release, <i>Aftermath</i>, like most promotional media for <i>Uprising</i>, has now been pushed back to a March 21, 2018 release, likely to coincide with the late March release of the film itself.</strike>
</p><p>SOURCE: Instagram</p></blockquote>
<figcaption> <p class="caption">Jake Pentecost as he appears in <i>Pacific Rim: Aftermath</i>.</p> </figcaption></figure></div>
<p></p><blockquote><strike>and a new release date:</strike>
<p><strike>Originally set for a January 17, 2018 release, <i>Aftermath</i>, like most promotional media for <i>Uprising</i>, has now been pushed back to a March 21, 2018 release, likely to coincide with the late March release of the film itself.</strike>
</p><p>SOURCE: Instagram</p></blockquote>
(Edited by Lily Ford)
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<p><big>NEW PACIFIC RIM PREQUEL COMIC WILL FILL IN THE GAPS BEFORE UPRISING</big>
</p>
<div class="center"><figure class="article-thumb tnone show-info-icon" style="width: 180px">
<figcaption> <p class="caption">Issue #1 of <i>Pacific Rim: Aftermath</i>.</p> </figcaption></figure></div>
<table class="cquote" style="margin:auto; border-collapse: collapse; border: none; background-color:transparent; width:auto;"><tr><td style="vertical-align: top; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:left; padding:3px;"> “
</td><td style="vertical-align: top; padding:3px; font-style:italic;"> Legendary Comics has just announced Pacific Rim: Aftermath, a six-part prequel series set in the year 2034 that will introduce us to Jake Pentecost and the world he's grown up in. It's a world full of rogue Jaegers, scrapyards, mob bosses, and people who've grown to worship the deceased Kaiju like gods. Check out the official synopsis.
<p></p><blockquote>"Santa Monica, 2034. In a city that was once the jewel of the West Coast, a new world has emerged: one rising up from the ashes of giant robots and giant monsters. In this futuristic aftermath, we will meet a new generation of survivors, including Jake Pentecost, son of Stacker Pentecost, who is searching for answers behind the death of his Legendary father; Griffin, a Jaeger pilot who has gone from defending the world to piloting an illegal Jaeger enforcer for a mob boss; and the Mech Czar, a techno-criminal overlord who rules the underworld with a steel fist. Set against a neo-noir backdrop of street gangs, Kaiju worshipers, and Jaeger Scrapyards, a mysterious but familiar figure arrives with a dangerous agenda…"</blockquote>
<p>Now, could you go into Pacific Rim: Uprising having never read this comic and still understand what's happening? Almost certainly, but it's hard to pass up that "mysterious but familiar figure" tease. And besides, a decade of the post-Breach world is bound to be full of interesting storytelling possibilities.
</p><p>Check out the full cover for the first issue below. Pacific Rim: Aftermath #1, from writer Cavan Scott and artist Rich Elson, arrives January 17, 2018. Pacific Rim: Uprising is in theaters March 23, 2018.
</p>
</td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ”
</td></tr></table>
<figcaption> <p class="caption">Issue #1 of <i>Pacific Rim: Aftermath</i>.</p> </figcaption></figure></div>
<table class="cquote" style="margin:auto; border-collapse: collapse; border: none; background-color:transparent; width:auto;"><tr><td style="vertical-align: top; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:left; padding:3px;"> “
</td><td style="vertical-align: top; padding:3px; font-style:italic;"> Legendary Comics has just announced Pacific Rim: Aftermath, a six-part prequel series set in the year 2034 that will introduce us to Jake Pentecost and the world he's grown up in. It's a world full of rogue Jaegers, scrapyards, mob bosses, and people who've grown to worship the deceased Kaiju like gods. Check out the official synopsis.
<p></p><blockquote>"Santa Monica, 2034. In a city that was once the jewel of the West Coast, a new world has emerged: one rising up from the ashes of giant robots and giant monsters. In this futuristic aftermath, we will meet a new generation of survivors, including Jake Pentecost, son of Stacker Pentecost, who is searching for answers behind the death of his Legendary father; Griffin, a Jaeger pilot who has gone from defending the world to piloting an illegal Jaeger enforcer for a mob boss; and the Mech Czar, a techno-criminal overlord who rules the underworld with a steel fist. Set against a neo-noir backdrop of street gangs, Kaiju worshipers, and Jaeger Scrapyards, a mysterious but familiar figure arrives with a dangerous agenda…"</blockquote>
<p>Now, could you go into Pacific Rim: Uprising having never read this comic and still understand what's happening? Almost certainly, but it's hard to pass up that "mysterious but familiar figure" tease. And besides, a decade of the post-Breach world is bound to be full of interesting storytelling possibilities.
</p><p>Check out the full cover for the first issue below. Pacific Rim: Aftermath #1, from writer Cavan Scott and artist Rich Elson, arrives January 17, 2018. Pacific Rim: Uprising is in theaters March 23, 2018.
</p>
</td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ”
</td></tr></table>
(Edited by Lily Ford)
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<div class="center"><div class="floatnone">
</div></div>
<p>
</p> <dl><dt>From Legendary.com </dt></dl><table class="cquote" style="margin:auto; border-collapse: collapse; border: none; background-color:transparent; width:auto;"><tr><td style="vertical-align: top; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:left; padding:3px;"> “ </td><td style="vertical-align: top; padding:3px; font-style:italic;"> Legendary Comics announces exciting new titles to arrive in the Fall. <p>Guillermo del Toro promised more adventures from the world of Pacific Rim - and he has delivered. Legendary is taking fans back to the frontlines of a larger-than-life battleground with Pacific Rim: Tales from the Drift, the official new comic series presented by director Guillermo del Toro, featuring a story from Pacific Rim screenwriter Travis Beacham. A continuation of the bestselling graphic novel Pacific Rim: Tales from Year Zero, the new Pacific Rim comic series will feature Jaegers never before seen in combat, squaring off against all-new Kaiju creatures. </p><p>Legendary is also proud to launch two original titles. First is the riveting espionage thriller Black Bag, starring Legendary Comics' first female action hero. This gripping series about a suburban wife-turned-covert government assassin comes from writer Chris Roberson, creator of the breakout comic iZombie (recently adapted into a network TV series), and features art from fast-rising talent JB Bastos, known for his standout work on Night Trap. </p><p>Finally, Legendary is excited to partner with acclaimed writer Steven Grant to bring you Cops For Criminals, a daring new crime-thriller series about a federal agent forced to find true justice in the criminal underworld. Pete Woods, whose long and storied career includes iconic franchises such as Deadpool, Catwoman and Robin, returns to pencil, ink and color the title. </p><p>To celebrate these launches, Legendary is also giving fans the chance to win an exclusive page of original artwork from the upcoming Pacific Rim: Tales from the Drift. Participants are invited to enter at PacificRimComicArt.com to win this one-of-a-kind prize. </p> </td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ” </td></tr></table><dl><dt>Release Details </dt></dl><p>Release Date: November 2015
Presented by: Guillermo del Toro
Story by: Travis Beacham
Writer: Joshua Fialkov
Artist: Marcos Marz
Colorist: Marcelo Maiolo
Format: 4 issue monthly series </p>
</div></div>
<p></p> <dl><dt>From Legendary.com </dt></dl><table class="cquote" style="margin:auto; border-collapse: collapse; border: none; background-color:transparent; width:auto;"><tr><td style="vertical-align: top; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:left; padding:3px;"> “ </td><td style="vertical-align: top; padding:3px; font-style:italic;"> Legendary Comics announces exciting new titles to arrive in the Fall. <p>Guillermo del Toro promised more adventures from the world of Pacific Rim - and he has delivered. Legendary is taking fans back to the frontlines of a larger-than-life battleground with Pacific Rim: Tales from the Drift, the official new comic series presented by director Guillermo del Toro, featuring a story from Pacific Rim screenwriter Travis Beacham. A continuation of the bestselling graphic novel Pacific Rim: Tales from Year Zero, the new Pacific Rim comic series will feature Jaegers never before seen in combat, squaring off against all-new Kaiju creatures. </p><p>Legendary is also proud to launch two original titles. First is the riveting espionage thriller Black Bag, starring Legendary Comics' first female action hero. This gripping series about a suburban wife-turned-covert government assassin comes from writer Chris Roberson, creator of the breakout comic iZombie (recently adapted into a network TV series), and features art from fast-rising talent JB Bastos, known for his standout work on Night Trap. </p><p>Finally, Legendary is excited to partner with acclaimed writer Steven Grant to bring you Cops For Criminals, a daring new crime-thriller series about a federal agent forced to find true justice in the criminal underworld. Pete Woods, whose long and storied career includes iconic franchises such as Deadpool, Catwoman and Robin, returns to pencil, ink and color the title. </p><p>To celebrate these launches, Legendary is also giving fans the chance to win an exclusive page of original artwork from the upcoming Pacific Rim: Tales from the Drift. Participants are invited to enter at PacificRimComicArt.com to win this one-of-a-kind prize. </p> </td><td style="vertical-align: bottom; width:20px; font-size:36px; font-family:'Times New Roman', serif; font-weight:bold; text-align:right; padding:3px;"> ” </td></tr></table><dl><dt>Release Details </dt></dl><p>Release Date: November 2015
Presented by: Guillermo del Toro
Story by: Travis Beacham
Writer: Joshua Fialkov
Artist: Marcos Marz
Colorist: Marcelo Maiolo
Format: 4 issue monthly series </p>
(Edited by Lily Ford)
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